31 October 2026 Weibo

Gaming : Gaming company Chingmu claimed on Weibo that it provided high-precision motion capture technology support for the fighting game “Shadow Blade Zero,” converting Zhen Zidan (甄子丹)’s real martial arts moves into in-game character actions, and stated that the work received a perfect score from IGN, with related content being widely discussed under topics such as “Zhen Zidan Shadow Blade Zero is too difficult to play.”

Cultural Heritage : Media account “Da Cankao (大参考)” reported that historical figures Su Shi and Li Qingzhao appeared together in digital form at a scenic area in Kaifeng, Henan Wansui Shan (万岁山), “breaking dimensional barriers,” with Su Shi and Li Qingzhao respectively interacting with visitors through poetry and verses. The scenic area simultaneously announced plans to hold a “Cybernetic Gala 900 Years in the Making,” scheduled for the evening of October 31st; the report was reposted by multiple accounts including “Secret Love Rains Down in My Heart,” “We Go Where the Wind Blows,” and “The Mouse’s Son Cannot Dig Holes.” Houniao Shipin (候鸟视频), Guan Tianxia (观天下), Haerbin Ribao (哈尔滨日报), Hefei Ribao (合肥日报) and other media accounts simultaneously reported that with the aid of digital technology, a revolutionary predecessor Su Huanqing (苏焕清) who sacrificed during the Long March 92 years ago and university students of today, 92 years later, realized a “dialogue across time and space.” Renminfayuan Bao (人民法院报) and Hechuan Fayuan (合川法院) both introduced the “News Reading” short-form video column launched by the People’s Court News Media General Society since September 2024, which employs virtual anchors to broadcast highlights of daily legal news in short-form video format.

Funeral Industry And Elder Scams : Weibo users “我芝士只小兔呀,” “我有恋美癖ya,” and account “oo睡觉中_” reposted content from “爱如檐下雨” stating that the funeral industry is innovating farewell ceremonies through technological forms such as drones, AI digital humans, and cloud-based memorial halls, and pointed out that following the official implementation of the revised “Funeral Management Regulations” on March 30, 2026, the industry is shifting from “profiteering taboo” to “public benefit transparency,” with ecological burial and emotionally customized services gradually becoming mainstream. Saihanqu Fayuan (赛罕区法院) issued a warning post noting that a batch of accounts claiming to be “unfortunate boys” named “Xiaohao” are actually AI digital humans specifically targeting middle-aged and elderly people to elicit sympathy and induce consumption, citing the real case of a 79-year-old grandmother in Urumqi who was deceived by railway police into traveling to meet an “AI unfortunate boy.” Hangzhou Ribao (杭州日报) reported that actor Wu Yue (吴越) publicly accused self-media accounts of using AI to counterfeit his image and voice to promote cosmetics, and China Media Group also exposed a batch of AI digital human accounts impersonating the image of the “unfortunate boy Xiaohao” to induce elderly consumption. Account “哥是往事钩沉” reposted content from China Media Group “Legal Today” stating that fraudsters disguise themselves as vulnerable elderly people to elicit sympathy and obtain voice prints, then use AI to generate digital humans to assume false identities for loan fraud schemes.

Enterprise And Digital Employees : According to reports from accounts Dianshang Toutiao (电商头条) and Dianshang Zaixian (电商在线), JD.com has unified AI digital workers at the P3 level within its CFO system and allocated separate recruitment quotas (HC) for them, because the performance of the relevant intelligent agents has exceeded that of some interns. Blogger Wen Oujiazhi (文欧价值) published an analysis of the differences between WorkBuddy launched by Tencent and Winwork and Xingchen TaaS (星辰TaaS) platforms launched by iFLYTEK, stating that WorkBuddy is more like “an intern doing miscellaneous work for individuals,” while Winwork is positioned as “a digital employee hired by enterprises,” achieving verifiable and traceable results by embedding AI into business processes and accumulating corporate knowledge bases. Account “A-师资供应商张明” introduced that Qi Yalaoshi (柒雅老师) was invited to teach Hengfeng Yinhang (恒丰银行) a training course on “Open Claw Digital Employee Empowerment for Banking Business Efficiency Upgrade,” explaining the application of AI digital employees in banking automation configuration and business processes. The account “ReFi理财” mentioned that China CITIC Bank is exploring a service model of collaboration between customer managers and digital twins. Yikeli inkelink (依柯力inkelink) announced that its “industrial AI digital employee” agent was again selected for the “2026 Enterprise-Level AI Agent Application TOP50” list jointly released by DBC Deben Zixun (DBC德本咨询) and Internet Weekly. Account Yingshengwang (英盛网) stated that apparel enterprise Senma (森马) has deployed 94 AI digital employees, completing the workload of approximately 500 people at a cost far lower than manual labor. Qianli Keji (千里科技) announced that the new version of its “Qianli Chaoji Zhushou (千里超级助手)” went online with a custom 3D digital person feature, allowing users to generate a customized cartoon digital image from a single photograph.

Marketing And Entertainment Campaigns : JD.com An official account announced that a “11.11 Cyber Gala·Surprise Night Across Time” event will be held on the evening of October 31st, featuring Song Dynasty scholars, Liangshan heroes, and AI digital humans taking turns on stage for interactive performances. Taobao Video’s official account announced that music digital human Velora will take over as the “Good Things Class Representative,” bringing vibrant displays to the Double 11 sports and outdoor showcase. Qicaihong Keji (七彩虹科技) Company announced that its AI digital human “Qi Xiaoxi” will appear as the “JD.com 11.11 Cyber Esports World Host” in the Colorful Rainbow JD.com self-operated flagship store live stream. Tmall launched an AI short drama titled “When the Shopping Cart Chimes, Ancestors Arrive, Meow!” inviting multiple celebrities and online influencers to perform as digital avatars. The drama received praise from multiple users including “Cooling Ice Cube,” “Entertainment World Wanderer,” “Tu Eryuan (兔耳缘),” “Tao Weishi (桃味诗),” and “Girlfriend Soo,” who commended its imaginative plot and digital avatar performances as refreshingly innovative. Quan Yule Mingxing (全娱乐明星) account reported that artist Dai Yanni (戴燕妮) performed on the “Hit Song 2026” program alongside an AI avatar in ancient-style swordswoman styling, presenting a “virtual and real” stage effect. Damai Yule (大麦娱乐) Company announced that its digital human “Lili Leah” won the Fubusi Zhongguo (福布斯中国) “Digital AI Character Image Award” at the 2026 GDPS Quanqiu Kaifazhe Xianfeng Dahui (GDPS全球开发者先锋大会) closing gala and “2026 Fubusi Zhongguo (福布斯中国) Human-Machine Symbiosis Technology Intelligence Pioneer Selection.” The account “It’s Ailee Ailee Ya” shared the musical work “keep the light” produced by creator Wang Yue (王悦), stating that the work’s character image, voice, and scenes were all created by AI without reference to any real-world prototype, aiming to explore the possibilities of digital human concerts, performed and presented by “Ailee W.”

Technology And Public Display : The account “Taigu White Sugar Steven” posted that China Mobile brought the “Promising Youth Public Class” activity into University of Science and Technology of China, where the venue not only displayed historical communication artifacts but also presented digital human senior sisters in holographic large screens with interactive scenarios. Shandong Doushen Dongman (山东豆神动漫) company demonstrated its AR technology solution, stating that without modifying venue hardware, it can achieve low-cost, lightweight upgrades to traditional exhibition halls through QR codes and digital human guided tours. The account “Happy Lee Today” showcased its “AI Supermarket” tool designed for local physical restaurants, demonstrating automatic digital human short video generation functionality to help stores produce content at low cost and drive traffic and customer acquisition. The account “GEO Technology Representative” commented that many customers are conflicted about whether their digital human image looks good enough, with the underlying motivation actually being to appear more “handsome” through the digital person rather than purely pursuing convenience in customer acquisition. Lansu Keji （ larxu ） (蓝速科技（larxu）) company released digital human device adaptation recommendations for universities and institutions, stating that校史馆 school history halls, large library reception areas and other high-traffic standardized interpretation scenarios are suitable for deploying digital humans, with core exhibition items in school history halls recommended to use 3D holographic pods, while library inquiry points are recommended to adopt wall-mounted digital human screens, whereas small reference rooms or niche collection libraries are not recommended for such equipment deployment.

Controversy And Industry Commentary : Xinlang Xinzhi (新浪新知), Kepu Zhongguo (科普中国), Zhejiang Jidian Zhiye Jishu Daxue (浙江机电职业技术大学), Yunnansheng Kexie (云南省科协), Qinzhou Fabu (钦州发布) and multiple other accounts reposted the same science popularization content, introducing how digital humans trigger the “uncanny valley effect” due to subtle distortions in facial and movement details, and proposing two technical paths: enhancing realistic details to cross the uncanny valley or proactively adopting a cartoon style to avoid the sense of wrongness. The account “飞走的云520” commented that the trending search competition between short-drama platforms Hongguo (红果) and iQIYI surrounding works such as “Small Town Good Medicine” is essentially a contest between “AI digital humans” and traditional live-action content represented by actor Xiao Zhan (肖战). The account “小白娱时记” analyzed that AI micro-dramas are disrupting traditional live-action filming logic with cost and efficiency advantages, and mentioned that Hollywood unions once launched strikes to resist AI digital humans. The account “凯文知识产权代理” published an article exploring voice authorization issues behind virtual idol performances, pointing out that the voice rights of underlying voice providers—the “voice actors” and motion-capture performers who embody the character—are protected by law, with relevant protection rules explicitly implemented in accordance with portrait rights rules, and that creating or using their voice without consent is prohibited.