Guizhou Cultural Performing Arts Industry Group
- Chinese name
- 贵州文化演艺集团
- Pinyin
- Registered name
- 贵州文化演艺产业集团有限责任公司
- Unified Social Credit Code
91520000584124970Qregistered in Guizhou 贵州
Consumer platforms as venues · Scenic-area service
Guizhou Cultural Performing Arts Industry Group (贵州文化演艺产业集团有限责任公司) is a wholly state-owned (国有独资) provincial group established on 14 March 2012, registered in Guiyang’s Guanshanhu District with registered capital of 500 million yuan. It holds the province’s principal performing-arts assets, including the Guizhou Song and Dance Theatre, and it is the parent that put the province’s digital-human work on a corporate footing. It has no English name of its own on record; the form used here is a translation of the registered name, and newspapers rendering it in pinyin as Guizhou Wenhua Yanyi are naming the same group.
A note on the name, because coverage and the registry disagree and both are right in their own time. This record’s registered name carries 产业; the shorter 贵州文化演艺集团有限责任公司 is a former name against the same unified social credit code, and the legal representative changed from 肖泓 to 郑欣 across the same period. Provincial reform reporting in February 2026 records the reorganisation directly, listing the completion of the group’s new incorporation alongside that of Guizhou Broadcasting Network Media Group. The short form 贵州文化演艺 remains the group’s own working name and is what its public account posts under.
In May 2023 the group established Guizhou Shuzhi Culture Technology (贵州省数智文化科技有限公司) to carry its digital transformation, and that subsidiary is where the digital humans are made. Its work includes the Digital Wang Yangming (数字人王阳明), a figure that has published self-narration videos explaining the philosopher’s doctrine of the mind since July 2023, and a set of digital-human applications — virtual anchors, guided-tour narration, consultation services and cultural derivatives — built on 票亮, the province-wide unified performing-arts ticketing platform that went live in December 2023.
The group is placed here as a carrier rather than a customer: the question for a venue is not whether it bought a digital human but whether it hosts and distributes them as part of what it operates. A provincial performing-arts group running the province’s ticketing platform and putting virtual anchors and guides on it is doing the second thing. Its ownership of the maker is what makes the position unambiguous.
One attribution deliberately left unmade: Guizhou’s provincial cultural-tourism digital human 黄小西, released at the province’s tourism development conference and brought onto the stage at the twentieth edition in March 2026, recurs in coverage alongside this group, but no source read here names the group or its subsidiary as its builder. It is noted and not claimed.